Audio Editing: Adobe Audition tutorials

Showing tutorials 0 to 11 out of 11 Adobe Audition tutorials.

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With this tutorial you can learn how to edit your audio sound

3D audio editing

With this tutorial you can learn how to edit your audio sound!

Rated:**** with 5966 hits  Added on: Jun 19, 2007

Learn How To get an audio track from CD Learn How To get an audio track from CD

Learn How To get an audio track from CD

Learn How To get an audio track from CD , Learn How To get an audio track from CD

Rated:**** with 2997 hits  Added on: Mar 10, 2007

This tutorial attempts to demonstrate technique which teaches you how to cancel or reduce the background noise in an audio file This example is a soft guitar playing with few fans running in the background The fan noise is cancelled out using the noise filter in Audition

How to Cancle Background noise in Adobe Audition

This tutorial attempts to demonstrate technique which teaches you how to cancel or reduce the background noise in an audio file. This example is a soft guitar playing with few fans running in the background. The fan noise is cancelled out using the noise filter in Audition...

Rated:*** with 4507 hits  Added on: Nov 09, 2006

This short and easy tutorial will teach you how to record your voice by using Adobe Audition software Make sure that you re located in quiet area to avoid background noise while recording

How to record your voice in Adobe Audition

This short and easy tutorial will teach you how to record your voice by using Adobe Audition software. Make sure that you're located in quiet area to avoid background noise while recording...

Rated:*** with 3715 hits  Added on: Nov 09, 2006

Learn How To get an audio track from CD

Get an audio track from CD

Learn How To get an audio track from CD

Rated:*** with 2122 hits  Added on: Nov 23, 2006

Noise reduction takes a lot of work trial and error so don t get frustrated Without professional equipment getting the right amount of noise reduction while maintaining audio quality can be very difficult Just try to get as close as possible noise reduction is never perfect

How to reduce noise in your recording

Noise reduction takes a lot of work (trial and error) so don't get frustrated. Without professional equipment, getting the right amount of noise reduction while maintaining audio quality can be very difficult. Just try to get as close as possible: noise reduction is never perfect...

Rated:*** with 1894 hits  Added on: Nov 09, 2006

This tutorial is part 1 of a 2 part tutorial This one shows how to cut samples in Audition in a way that makes stretching them very easy in FL Studio

EZ Sampled Beat - Video tutorial on Chopping Samples in Audition

This tutorial is part 1 of a 2 part tutorial. This one shows how to cut samples in Audition in a way that makes stretching them very easy in FL Studio...

Rated:*** with 1713 hits  Added on: Nov 09, 2006

Getting the timing right for a multiple track session is very important so you should pay attention to this tutorial which teaches you how to use multiple tracks for voice and audio editing

How to use multiple tracks for voice and audio

Getting the timing right for a multiple track session is very important, so you should pay attention to this tutorial which teaches you how to use multiple tracks for voice and audio editing...

Rated:*** with 2359 hits  Added on: Nov 09, 2006

With this tutorial you can look throught a simple minimap script enjoy

Look throught a simple minimap script.

With this tutorial you can look throught a simple minimap script... enjoy

Rated:*** with 684 hits  Added on: Mar 03, 2007

Ready to achieve optimum punchy in your face hip hop compression settings for a kick a snare bass percussion Learn what compressor settings platinum hip hop producers use below Ratio Threshold settings dictate amount Heavy weight producers use Ratio settings 4 1 to 7 1 for most hip hop applications Ratios 8 1 above are more effective for limiting not compression For Threshold settings the Pro s use anywhere from 10db to 15db of gain reduction on kicks snares percussion bass or guitar After you set the ratio and threshold the real power comes in with your attack and release settings Attack times dictate snap To ensure the most punch per track in your mix you need to assign each track it s own compressor attack settings one at a time Starting with the kick set your attack to its slowest possible setting Next increase the time of the attack until the kicks timbre dulls slightly Once you ve reached this point decrease the attack time slightly to un dull the kick timbre and leave it at that setting Repeat this method for all other tracks you wish to add optimum punch to 3 Release times dictate recovery Now that you ve optimized the attack for each individual track needing punch now you must assign each track its own release setting too Again starting with the kick set your release to its fastest possible setting Next decrease the time of the release until you hear the compression fully recovers the kick s volume before the next kick pulse begins Repeat this method for all other tracks needing optimum volume recovery

Top Compression Methods Revealed

Ready to achieve optimum, punchy, in-your-face, hip hop compression settings for a kick? a snare? bass? percussion? Learn what compressor settings platinum hip hop producers use below... Ratio & Threshold settings dictate amount: Heavy weight producers use Ratio settings 4:1 to 7:1 for most hip hop applications. Ratios 8:1 & above are more effective for limiting, not compression. For Threshold settings, the Pro's use anywhere from 10db to 15db of gain reduction on kicks, snares, percussion, bass, or guitar. After you set the ratio and threshold, the real power comes in with your attack and release settings... Attack times dictate snap: To ensure the most punch per track in your mix, you need to assign each track it's own compressor attack settings one at a time. Starting with the kick, set your attack to its slowest possible setting. Next, increase the time of the attack until the kicks timbre dulls slightly. Once you've reached this point, decrease the attack time slightly to un-dull the kick timbre and leave it at that setting. Repeat this method for all other tracks you wish to add optimum punch to! 3) Release times dictate recovery: Now that you've optimized the attack for each individual track needing punch, now you must assign each track its own release setting too. Again, starting with the kick, set your release to its fastest possible setting. Next, decrease the time of the release until you hear the compression fully recovers the kick's volume before the next kick pulse begins. Repeat this method for all other tracks needing optimum volume recovery!

Rated:*** with 582 hits  Added on: Nov 01, 2007

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Rated:*** with 751 hits  Added on: Jan 11, 2008

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